#Drive angry movie nicolas cage face movie
Our movie opens in media res with a car chase, where Nic Cage is chasing three hillbillies in a pickup truck. I don’t want to go into too much before hand, so let’s just jump in. The plot of this movie is basically that Nic Cage has escaped from hell to rescue his grand daughter from Satanists who want to sacrifice her. The conclusion of our Nic Cage-athon, for which, this will be the first movie we’ve ever reviewed. Welcome to Drive Angry, ladies and gentlemen. So, without further ado, here’s our review of DRIVE ANGRY. Starting with our second movie we’ll also be reviewing the steaks, but for the first movie (Nic Cage in Drive Angry) we’ll just be talking about the movie, since we forgot to take pictures of the food. Every other Wednesday, Travis and I, and possibly some special guest stars, will be watching an “interesting” movie and reviewing it, while eating delicious, delicious steaks. Well, to be fair, they’re not necessarily bad, just interesting. Running time: 104 MIN.This is where we ( Todd and Travis) watch bad movies, so you don’t have to. Reviewed at AMC Southdale 16, Edina, Minn., Feb. McLeod sound (Dolby Digital/DTS), Jay Meagher supervising sound editor, Robert "Chopper" Shoup visual effects supervisor, Glenn Neufeld visual effects, Worldwide FX stunt coordinator, Johnny Martin assistant director, Steve Danton second unit director, Martin casting, Nancy Nayor.
Lussier music, Michael Wandmacher music supervisor, Selena Arizanovic production designer, Nathan Amundson costume designer, Mary E. Screenplay, Todd Farmer, Patrick Lussier.Ĭamera (color, HD, 3D), Brian Pearson editors, Patrick Lussier, Devin C. Co-producers, Ed Cathell III, Zach Schiff-Abrams, Josh Bratman. Executive producers, Avi Lerner, Danny Dimbort, Trevor Short, Joe Gatta, Boaz Davidson, John Thompson. Produced by De Luca, Rene Besson, Adam Fields. All the actors have fun with the pic’s trashy dialogue, while tech credits capably combine digital and real-world tricks.Ī Summit Entertainment release presented in association with Millennium Films of a Nu Image, Michael De Luca production, in association with Saturn Films.
Arguably, the film’s niftiest effect is relatively simple, as the third dimension allows Milton’s violent memories to play in the foreground while his haunted face remains visible in the back.Īlthough Cage doesn’t offer anything remotely new here, the film benefits greatly from tongue-in-cheek thesping by Fichtner, Heard and, in a late-reel cameo, David Morse as Milton’s mellow buddy Webster. Toting a devilish shotgun called the “God-killer,” Milton himself is being pursued by cops as well as by the Accountant (William Fichtner, enjoyably hammy), a natty dresser who’s in cahoots with the man downstairs.Įn route to the pic’s hellfire climax, countless scenes of high-speed road rage keep “Drive Angry” plenty watchable, particularly as Lussier favors longer-than-average shot lengths and a precisely focused use of 3D that never strains the eyes.
#Drive angry movie nicolas cage face full
King, who keeps the deceased’s femur bone for fun, plans to sacrifice Milton’s baby grandson under a full moon by way of creating hell on earth. On the road, Milton monosyllabically explains to Piper that he’s chasing Jonah King (Billy Burke), sleazy leader of a satanic cult that Milton’s kid had tried to escape in her final hours. Quitting her job at a Colorado diner run by lecherous Fat Lou (Jack McGee), then breaking her engagement to philandering Frank (co-writer Todd Farmer), kicking-and-punching Piper agrees to drive weirdo Milton to Louisiana in her ex’s ’69 Charger, one of several vintage hot rods fetishized in the film. The film’s most outrageous setpiece, shot in blatantly cheesy slo-mo by co-writer/director Patrick Lussier (2009’s “ My Bloody Valentine”), has Cage’s immortal badass dispatching a succession of blade-twirling goons in an Oklahoma motel room while sporting dark shades, sucking a cigar, slurping from a whiskey bottle and, er, staying in the closest possible proximity to a naked one-night stand.Ĭage’s Schwarzenegger-esque turn as terminator Milton is well matched by Heard’s playfully physical perf as Piper, a natural-born butt-kicker whom Lussier treats with unusual respect by the sexist standards of modern action fare.